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Gregory Dickson
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Artist Statment:
The thread paintings originated from the floor of my fashion sewing
studio. Over time, as I worked with a variety of fabric and thread
colors, I watched the slow progression of multi-layered levels of scrap
thread accumulate beneath my sewing machine. I began to see the
possibility of manipulating thread into amorphic shapes and patterns, to
achieve this "static tension" I was witnessing, this movement without
direction, within the confines of a canvas field. The ground of the
paintings are often painted to appear infinite and borderless; the
thread then floats within its given atmosphere, a snapshot of time as
the thread is suspended in endless space. Using the thread as a linear
medium allows me to work with established lines to achieve depth and
layering, as the thread is always the same width along its determined
length. I may cut the threads in lengths and lay them down individually.
I may gather threads up in a box and mangle them together, only to pull
and unravel them from their knotted form just before applying them to
the canvas, until a saturation of thread color is evident in the
painting. Each painting teaches me a new technique for
manipulating the thread.
I choose to work with thread because of the familiarity I have with it
as a construction medium for clothing, a utilitarian raw material to
turn
two-dimensional fabric into a three-dimensional garment. The myriad of
thread colors, their inherent linear nature, and their reaction to the
clear
adherent medium have given my threads a different type of life than I
had previously given them, and the more I work with them, the more they
work back to me. Rather than decide a color and position and just paint
a line, I choose thread color and let the threads decide how they will
eventually position themselves. Of course I have intentions as to how I
would like the final composition to reveal itself, but often the most
successful results are achieved when I restrain my desires to control
the painting, and let the threads reveal to me how they would like to be
permanently adhered to the canvas.
www.gregorydickson.30art.com
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