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      Gregory Dickson 
		
		
		 
		
		 
		
		  
		
		
		 
		
		 
		
		  
		
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		Artist Statment: 
		The thread paintings originated from the floor of my fashion sewing 
		studio. Over time, as I worked with a variety of fabric and thread 
		colors, I watched the slow progression of multi-layered levels of scrap 
		thread accumulate beneath my sewing machine. I began to see the 
		possibility of manipulating thread into amorphic shapes and patterns, to 
		achieve this "static tension" I was witnessing, this movement without 
		direction, within the confines of a canvas field. The ground of the 
		paintings are often painted to appear infinite and borderless; the 
		thread then floats within its given atmosphere, a snapshot of time as 
		the thread is suspended in endless space. Using the thread as a linear 
		medium allows me to work with established lines to achieve depth and 
		layering, as the thread is always the same width along its determined 
		length. I may cut the threads in lengths and lay them down individually. 
		I may gather threads up in a box and mangle them together, only to pull 
		and unravel them from their knotted form just before applying them to 
		the canvas, until a saturation of thread color is evident in the 
		painting. Each painting teaches me a new technique for 
		manipulating the thread. 
		 
		I choose to work with thread because of the familiarity I have with it 
		as a construction medium for clothing, a utilitarian raw material to 
		turn 
		two-dimensional fabric into a three-dimensional garment. The myriad of 
		thread colors, their inherent linear nature, and their reaction to the 
		clear 
		adherent medium have given my threads a different type of life than I 
		had previously given them, and the more I work with them, the more they 
		work back to me. Rather than decide a color and position and just paint 
		a line, I choose thread color and let the threads decide how they will 
		eventually position themselves. Of course I have intentions as to how I 
		would like the final composition to reveal itself, but often the most 
		successful results are achieved when I restrain my desires to control 
		the painting, and let the threads reveal to me how they would like to be 
		permanently adhered to the canvas. 
		 
		
		www.gregorydickson.30art.com 
		
		  
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