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       Margo Magid 
      BFA 
		(Energy Gallery's 
		Membership Award)      
		
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		Margo 
		Magid works in oil, acrylic, sumi, collage, photography and digital 
		media – often in combination. She has studied painting with Koho 
		Yamamoto, C. C. Wang, Amalie Rothschild, Grace Hartigan, Sam Francis and 
		Hilton Brown. 
		
		Education:  
		Johns HopKins University, The Writing Seminars  
		Maryland Institute of Fine Arts, painting and printmaking  
		 
		Exhibitions:  
		Baltimore Museum of Art  
		Walters Art Gallery: The Next Generation  
		Blink Gallery, London  
		Evergreen Gallery  
		The Open Center  
		National Sumi-e Society  
		Projekt30  
		Westbeth, with New York Sumi-e Society  
		Shanghai Museum Gallery  
		 
		Awards  
		Max Beckmann fellowship in painting  
		Fulbright Fellowship, word and image    
		She 
		believes art is a story well-told. In this age, our personal landscapes 
		are limitless, and artists become what they see and the stories they 
		tell. She is interested in combining artistic disciplines to tell those 
		stories, and from the beginning of her career she has explored 
		connections between word and image.   
		For the 
		past several years, she has painted warscapes: landscapes of war that 
		she has seen, remembered or envisioned. These warscapes reach for those 
		indelible moments on the battlefield where everything is possible, even 
		ecstasy. Her involvement began during the time she spent in the Middle 
		East and Central Asia, and intensified with Desert Storm, witnessing 
		Ground Zero and examining subsequent military actions in Afghanistan and 
		Iraq closely.    
		
		Artist’s statement:  on the series Paradise Now 
		In this 
		age our personal landscapes are limitless. We swim in facts, imagery 
		and dialogue that make life-transforming events intimate. We have 
		broken through historical boundaries of person, time, place and 
		relevance. We become what we see.   
		And so, 
		each of us knows war. We know aggressor, target, hero, ally and enemy.We know wars fought at home, on foreign soil, in political shadows, in 
		our hearts or on MSNBC. We incorporate the language of war into our 
		most intimate conversations. Knowledge of war is woven into our 
		personal and collective memories.   
		
		We are 
		all embedded.
		
		www.margomagid.30art.com 
		
		  
		
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